Album Review: Turntable Technology - Pablo

You don't know it but, if you are a 18 to 35 year old male at least, there is a good chance you are already familiar with Pablo's work. Having been responsible for the incidental music in Grand Theft Auto IV BlackPlastic had certainly heard an hour or so of his work before ever even hitting play on Turntable Technology.

The link is not obvious though. Only on the dramatic instrumental sounds of 'Rooftop Chase' does Pablo's soundtrack ability really come to the fore, although we have to concede it is a better effort than anything in Grand Theft Auto's incidentals.

Turntable Technology is a dizzying album. Two discs - the second of which is completely instrumental (featuring some tracks from the first, along with some original pieces) - and a massive 27 tracks. Frankly there is simply far too much content here to get to grips with. Recalling the turntablism and instrumental hip-hop of early Shadow, producing a record of such length is an interesting (if misguided) approach for a genre that normally focuses on playing as much as possible at once rather than dragging things out.

Inevitably the result is ultimately flawed, but it is perhaps brilliantly so. There is simply too much filler. The opening title track introduces the album's main theme - turntablism itself - through a stale monologue describing the features of a record player. Like we have never heard that trick before. It's old and tired before it has even begun and to make matters worse it's a trick the album repeats more than once. So far so yawn.

Yet elsewhere things aren't just good, they are great. 'The Story of Sampling' mixes together more raps than you would think you could recognise into one flow that genuinely works. But Turntable Technology is at its best when it abandons it's hip-hop roots as on 'Music Maestro' and the truly beautiful closing track to disc one, 'High Jazz'. Not since Shadow's first album and the Avalanche's epic Since I Left You has BlackPlastic been quite so spellbound by sample-based music.

The instrumentals on disc two are somewhat pointless when the originals are so close and they give the album a thrown together feel, which risks undermining the work that has gone in to this release. There are stand out moments from the unique tracks not featured on disc one however - the closing couplet of 'Journey's End' and 'Reincarnation' being prime examples.

Turntable Technology suffers from failing to be as clever as it thinks it is - less would certainly have been more - but the highlights are enjoyable enough to ensure the error is accepted, if not overlooked. It needs re-sequencing and editing but there is without doubt at least one album's worth of quality tunes here.

BP x

Turntable Technology is released on Soma on 9 November, available for pre-order on Amazon.co.uk on CD [affiliate link].

Album Review: The Man With The Case - Samuel L. Session

Sorry to any fans that have stumbled across the humble BlackPlastic blog but techno... Well, it's just inherently boring. By definition it is a genre so obsessed with detail and finish that, aside from the initial tracks out of Detroit that defined the genre, any release that proudly sports the label is pretty much unapproachable for the layman. You gotta have a belly full of pills or a head fulla maths to care.

Samuel L. Session has been releasing tracks since 1996 however, so you could be mistaken for falsely believing that this album, his first artist album, is either an exception to the rule or the turgid dirge that proves it.

Instead The Man With The Case is a bit of a mixed bag. It is unapologetically a techno album first and foremost. That means there is a lot of nothing here. BlackPlastic is ultimately left cold by the incessant beat, the measured perfection, the lack of passion. Yet there is still a little bit of charm to some of the tracks that make up this album. The highlight has to be album opener 'Time', which has the warmth of Chicago mixed with the robotic urban perception of Detroit. The result is a truly thrilling track that transcends genre-definition.

The problem is that whilst there are hints of the same passion and intelligence elsewhere on the album, the driving bass of 'My People' for example, they are ultimately spread so thinly across its length that they lose any bite. This is still just techno. Do yourself a favour - download 'Time' but leave the rest on the shelf.

BP x

The Man With The Case is out now on Be As One, available from Amazon.co.uk on CD [affiliate link].

Album Review: Arminico Hewa - OOIOO

What happens if you mix Gang Gang Dance's distorted and shattered take on urban music and melt it down with the Battles and Asa Chung & Junray?

Something like this. A unhinged, disjointed piece of post-math-rock.

And to listen to it is to hear one of the strangest records BlackPlastic has heard in a while. Scat vocals, yelps, acid... African percussion...

Basically Arminico Hewa is every passing fad of the past couple of years played at once. Up close it is all far too much and BlackPlastic certainly wouldn't recommend playing it on a first date or listening to it whilst you sleep (unless you, your partner, or both are mental) but take a step back and it is kind of beautiful: Free of form or structure. So base it really underlines the similarity between humans and animals - just try listening to 'Irorun' and you will see what we mean.

So weird and full-on in might make you puke. Which is kind of awesome in our book.

BP x

Arminico Hewa is out on 2 November on Thrill Jockey, available for order now on Amazon.co.uk on CD and LP [affiliate links].

News: Free MP3 Downloads from R&S Records

R&S are running a giveaway at the moment where you can get five MP3s for subscribing to their newsletter.  The output of the R&S label is good enough that this represents a win-win scenario, truth be told.

BlackPlastic has been listening to one of the tracks - 'O'Loco (Sei A Remix)' by Sun Electric - and it is worth subscribing just to get this one track. Sun Electric have been releasing music on R&S since 1992 whilst Sei A (real name Andy Graham) apparently counts Ben Watt and Tiga as fans.

The track itself is a dubby, progressive track and it is the first time in years that BlackPlastic has heard a track of this style that manages to sound fresh. As one of the few progressive house DJs BlackPlastic doesn't always feel bored by it didn't surprise BlackPlastic when we discovered that Hernan Cattaneo is also a big fan of Sei A.

Head over to R&S to check it out!

BP x