EP Review: What You Do - Miguel Puente

Image source: Resident AdvisorFollowing on from last week's ode to John Talabot here is a bit more warm dance music from Barcelona for you.

Johnny White and Nitin's No. 19 Music have recently had releases from Louie Fresco and the highly in demand Maceo Plex but now it's the turn of Barcelona based Mexican Miguel Puente. All three tracks here feature a slightly retro sound that harks back to late eighties house, albeit with a fairly progressive edge. Cue bouncy bass lines and a minimal approach to production that relies very little on anything beyond drums, bass and vocals.

All three tracks here are relatively similar - they could almost be different takes on the same record. Title track 'What You Do' has a hard bouncing bass line but despite being the title track it is probably the least interesting. 'It's Been So Long' has some melodic keys and feels perfect for those moments just after the sun has dipped below the surface. 'Save Each Other' is best though, with the same heavy bass as the other two tracks but some massive echoing drums and some massive reverb - it's well worth a listen.

What You Do is out now on No. 19 Music.

Album Review: Fin - John Talabot

Image source: Red Bull Music AcademyFollowing on from my write-up on Cloud Atlas' Attack On Nothing earlier this week I couldn't let John Talabot's Fin pass by without comment.

I'd not previously heard of Talabot before a month or so back when the press for Fin started rolling in. After a brief listen on Spotify I knew this was an album I needed to own.

Fin feels like a commentary on electronic music itself. Whilst portions of dance music twist themselves into an ever tighter rubber band ball trying to define exactly what contemporary dubstep 'means' to nine decimal points here is an album that feels like a broad snapshot of the past twenty-five years taken through the lens of a brand new high-definition camera. There are moments that recall early-nineties dance, eighties electro and noughties minimal but it does so in a way that feels utterly consistent. In a sense this is an album of no style, not in terms of lacking stylistic sense (definitely not) but in that it has no genres tied to it at all.

It also captures subtleties of human emotion - 'Oro y Sangre' is all moody blues without ever uttering a word whilst 'Journeys', featuring Etkhi on vocals, feels like sunny expeditions through tropical islands. Opener 'Dapak Ine' has paranoia before emerging butterfly like halfway through with a key change that casts off the worry as easily as swallowing a pill. The latter takes all the texture and detail of minimal techno and applies it to an instrumental that manages to come off as accessible - Ricardo Villalobos with a hook you can remember, basically. This is clearly the work of someone who really knows what they are doing.

As things move towards the end of the album you can't help but feel the warmth of Talabot's hometown Barcelona pulse through this record. These are themes for losing yourself too. 'When The Past Was Present' aptly captures the cynicism-free optimism of rave and packages it up into something that means you can almost feel yourself getting lost on the dance floor for the first time all over again - it's like Talabot set out to re-create Moby's 'Go' and somehow made a classic even better.

Closing on 'So Will Be Now', bouncing beats, handclaps and bruised vocal chants Fin feels appropriately like a climatic full stop - the end of the beginning. Debut records that are well realised are rare - even more impressive is that this one does so much whilst relying on so little in the way of genre or contemporaries.

Fin is out now, available from Amazon.co.uk on CD, LP and MP3 [affiliate links]; stream now on Spotify.

Album Review: Attack On Memory - Cloud Nothings

Source: MTVHiveI'm circling back around this week to touch on a couple of releases from this year that I already managed to miss at the time. First up is Cleveland four-piece Cloud Nothings' third album Attack On Memory. I don't cover much straight up rock music on the blog because not much of it captures my attention - occasionally something does however and this is just such a case.

The cover of Attack On Memory depicts a black and white out of focus lighthouse. Cloud Nothings make mildly scuzzy music, the sound of a lo-fi rock band slipping down the back of a radiator and taking a bit of grunge with them before rolling into a furry bit of punk. That cover fits perfectly - slightly out of time, blurred and messy, yet beautiful and still trying to point the way. And that raw sound just makes this band all the more exciting, the lack of polish shining through brightly on Steve Albini's lassé faire production.

Opening with a melodic piano on 'No Future/No Past' is a good example of one of the two apparent halves of Cloud Nothings' new darker sound - less quiet-loud-quiet, more just quiet-quiet-quiet-loud-loud-louder as the song slowly stumbles towards an aggressively climatic staggering punch-out, drummer Jayson Gercyz's kicks punctuating vocalist Dylan Baldi's wails.

It's a fantastic start and as if to prove a point they go and do it again, one more time with feeling. 'Wasted Days' starts as a freewheeling wrangle, arms-a-windmilling, looking for a fight before entering a taught, paranoid instrumental middle section only to come out fighting once more, Baldi hurling dissatisfied barbs that result in a screamed onslaught: "I thought, I would, be more, than this".

Just when it feels like there is only one way to go Cloud Nothings reel things back in, showing a lighter side. Both 'Fall In' and 'Stay Useless' feel, musically speaking, like hopelessly loveable romantics - the latter's guitars, drums and bass all locking into melodic interplay before an unsympathetically unrefined chorus in tribute to apathy.

The second half of the album can't quite maintain such a pace, but few albums could. 'Our Plans' rumbles away, a disintegrating band playing away, gradually getting noisier and less in control like a musical take on Chinese whispers. Attack On Memory closes with its musically most straight forward song, needy punk longing ending things on a lyrically confessional note of masochism and love.

34 minutes and you are done, but Attack On Memory is a wonderful record that shows subtlety, aggression and creativity.

Attack on Nothing is out now, available from Amazon.co.uk on CD, LP and MP3 [affiliate links].

EP Review: The Wrap Around EP - Detroit Swindle

Detroit Swindle are Amsterdam based Lars Dales and Maarten Smeets. This, The Wrap Around EP, represents Saints & Sonnets first release since Ethyl & Huxley's popular '3 Feet High' last year.

'The Wrap Around' itself is a soulful house track. The feel is pretty straight up with warm washes and a male vocal creating summer vibe - the press release likens it to Detroit, hence the name I would imagine, but if 'The Wrap Around' inhabits any city it's a fictional one smack bang in between the motor city and Chicago. The drums and echoing atmosphere have a feel of techno about them whilst the bass and vocal are pretty much straight up house.

Unfortunately 'The Wrap Around' feels a little lost - it's not a great house track and has none of the cold mechanical soul of great techno. It seems to want to be liked just a little too much. Much better is second cut 'Pain Tomorrow' - more obviously Detroit inspired, it's a tight minimal track that retains some funk but feels considerably more sincere, a loft party, clinking-glasses, trainers-squeaking across floorboards kind of vibe. It could easily have fallen out of fellow Detroit worshippers Motor City Drum Ensemble's record box. A good thing in my book.

As Pattern Select, Milton Jackson and Mathias Schober offer up a remix of 'Pain Tomorrow' for the final track here. The first three minutes are frankly nothing but an overly long DJ lead-in but from there it gets more interesting, stripping the original back and adding some thick, heavy drum and darker synth work whilst keeping some of the space and atmosphere of the original.

The Wrap Around EP is release on Saints & Sonnets on 7 March.

Album Review: Johnny D Presents Disco Jamms Volume One - Various Artists

Johnny D's Disco Jamms is a rapid fire disco assault that manages to cram in 18 classic disco tracks from across the years into an extravagant 77-minute long celebration.

And basically it's brilliant. The mixing may be a little rudimentary, but that was the way things were back in the days of disco anyway and this set really doesn't suffer as a result. The selection of music on offer shows that at its best disco can be glorious. It's a genre that still gets a bad rep in certain quarters, not helped by the fancy dress theme parties and some overly commercialised artists that rode the sound all the way to the bank whilst simultaneously leaving the true spirit behind. For the record I truly believe the Bee Gees and Abba are two or the worst acts to grace the planet. Ever.

But there is nothing of that insipid shiny thin pop here. Cerrone's beautiful 'Look For Love' has a warm shimmering chorus that rides a rainbow unicorn to a string backing before a full two-minute percussive break. It's inventive and extravagant and soulful and real and ridiculous all at the same time. As disco retrospectives go this one isn't in the least bit precious either, so sure, you'd got the O'Jays, but you also have Klein & MBO's electro masterpiece 'Dirty Talk' followed by the large bassline heavy 'For The Same Man' by B-Beat Girls. There are moments of glorious electronic disco from the eighties that run away with my heart here. The System's 'It's Passion' is glossy funk with a fantastic spoken word jogging-on-the-spot synth heavy bridge combined with a simply massive chorus.

Most of all though disco was always about getting on up and over - triumph in the face of adversity, less showing off, more celebrating what you should to be thankful for. And that is what comes through on this album, whether on the enthused 'We're On The Right Track' by Ultra High Frequency or Lafleur's instrumental 'Dub Till We Drop'.

Don't fight it, feel it.

Johnny D Presents Disco Jamms Volume One is released on BBE on 5 March, available to pre-order from Amazon.co.uk on CD and MP3 [affiliate links].