review

Album Review: Beacons of Ancestorship - Tortoise

Some years in the making, Tortoise's seventh album proper (and their first proper release in five years) kicks off with a certain swagger. 'High Class Slim Came Floatin' In' sounds like David Holmes at his best - timeless yet wearing contemporary inspiration loud and proud.

The rest of Beacons of Ancestorship maintains a similar vibe, giving the whole album a highly cinematic feel. There are the abstract, rhythmic noodlings of 'Gigantes', the tight funk of 'Northern Something' - every track feels like a soundtrack to a different film. It, much like the rest of Tortoise's catalogue, may initially feel difficult to penetrate but once you stop actively LISTENING you start to appreciate its spaces and spikey, angular left-turns.

Instrumental music tends to fall into two categories - that which suffers from a slight lack of emotion (minimal, techno) and that which boarders on melodramatic (Sigur Rós, trance music generally). Beacons of Ancestorship ultimately falls into the former category and that is a fact that will undoubtedly act as a barrier to anyone that hasn't experienced Tortoise's music before, but in focusing on the music itself Tortoise manage to capture more depth and texture than most.

Beacons of Ancestorship is an album of different vibes and moments. The smokey, moody last chance saloon of 'The Fall of Seven Diamonds Plus One' for example may take more work but the feelings it evokes clearly warrant the investment.

Hop in the car, roll down the window, stick this in the stereo and go on a roadtrip. Beacons of Ancestorship is a weird, twisted, dangerous adventure.

Beacons of Ancestorship is available now on Thrill Jockey.  Order from Amazon.co.uk on CD or LP [affiliate link].

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Album Review: Manners - Passion Pit

BlackPlastic has slept on this one a little - there has been a lot to cover but you generally know when we come back to something that has been out a while it is usually because it is worth it.

Manners is so up our street that if it was any more to our tastes it would be less living in our house, more peeking round the bedroom door trying to tempt us into a bit of nooky. An insatiably perky band, Passion Pit sound like Lo Fi Fnk force fed Coca-Cola with an added teaspoon of sugar once per minute until they could write a whole album. Much like Iceland's FM Belfast this is a band that mash together the sweetest elements of a few different bands - BlackPlastic is thinking the Spinto Band, Shout Out Louds and the Go! Team - and come out smelling of cotton candy.

Take 'Little Secrets' - with it's chorus of children singing it should by all rights be a disaster. Instead it is a glorious, awesome motivational cheer-leading anthem. 'The Reeling' is equaly glorious - like a first kiss, a holiday and a rollercoaster all in one - whilst 'Sleepyhead' sounds like the Avalanches trapped in a tropical snow globe.  That's a good thing.

And every single track here is like a beautiful day that sticks in your belly like a thorn because you know that you can't keep it up. Passion Pit may struggle to continue making music as joyful as that on Manners but BlackPlastic is sure looking forward to hearing them try.

It's simple really. Joyous electronic pop: In the words of Vin Diesel in xXx we live for this shit.

Available on Amazon.co.uk on CD, LP and MP3 [affiliate links].

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Album Review: Lumina - The Rogue Element

Coming from the same school of thought as Simian Mobile Disco and Justice but without the pop hooks, Lumina is the aka Ben Medcalf's second album as Rogue Element and having had a listen it is difficult to understand why he isn't better known.

Lumina for the most delivers a noisy, bombastic, swinging-from-the-chandaliers style party and from the opening title track it sounds like the sound Simian Mobile Disco are aiming for with their second album. There a vicious stabs of acid and swirling synthesizers in a combination that defies easy categorisation. All BlackPlastic can say is that it has elements of techno and even trance but that it's still definitely house music.

Regardless of how you label it, this is music to lose memories to. 'Binary Suite', 'Sidewinder' and 'Lumina' are all full on brilliant technicolor brain-seizures. And when Lumina isn't swinging from the chandeliers things get even better - the broken beats of 'In Place' build to a distorted climax whilst 'Mistakes', the only track with a proper vocal, is the album's highlight. It's slower than the rest of the album but builds and builds into a magnificent electro-ballad, all snappy beats and distorted melodies.

Lumina is a triumphant record - an album that manages to be accessible without any danger of selling out. The golden boys of dance music just got some competition: The Rogue Element.

Lumina is released on 29 June on Exceptional.  Available to pre-order from Amazon.co.uk [affiliate link].

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Album Review: Fabric 47 - Various mixed by Jay Haze

Fabric 47 crashes your party like a much cooler than you stranger. It has seen things you haven't seen and has layers you failed to anticipate.

This is a mix that demonstrates a clear disregard for genre, style or pigeon-hole. Jay Haze has created a sound that manages to bring together disparate styles in a fashion that feels totally natural with none of the sense of forced fun of a consciously eclectic mix. Starting with the jazzy opener 'Awakening', from Haze himself, the listener is taken through Lil Dirty Ghetto Bastard's paranoid tech-blues record 'An Hour to Fly' and onto Mike Dunn AKA Mr 69's hip-house 'Phreaky Motherfucker' in quick succession and, at three tracks in, it's unquestionably the most exciting start for a Fabric album in recent memory.

Jay Haze is known as a DJ, label owner (TuningSpork, Contexterrior and Future Dub) and artist (as himself and under the Fuckpony moniker) and BlackPlastic has to admit that until now none of his work had particularly resonated. It can be troubling when a label owner and prolific artist makes a mix - there is a danger they will focus too much on their own work and labels, creating a mix without variety. No danger of that here however - Haze's own tracks are all dramatically different in themselves and there is plenty of work from others here. This is a mix not intent to stay still - taking in techno, house, hip-hop, dub, blues and jazz in a wholly modern and exciting way.

It's without doubt one of the most creative Fabric albums in ages, the slow burning dub, hip-hop and jazz moments providing real flow and being handled sympathetically. Catrat's reggae tinged 'Freedom', remixed by Haze, slots into the mix wonderfully despite a dramatically lower BPM count. Similarly, The Last Poet's 'When The Revolution Comes' provides an angry counterweight for the album, riding on top the clicks and bleeps of Pheek's 'Soundscape'. Closing on the emotional, jazzy hip-hop of the exclusive cut 'Something To Say' by Rockey puts a beautiful full stop on the set - an honest explanation of what it is to love music and what it does and means to people.

Fabric 47 is so fresh it inevitably makes the rest of your record collection feel a little stale.

Fabric 47 is released on July 13 in the UK and August 11 in the US.  You can subscribe to the Fabric CD series at the FabricFirst website. It is worth noting that Haze is donating the fee from this mix to a charity currently working in the Democratic Republic of Congo - Merlin Health Services.

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Album Review: Cope - Freeland

Freeland, Adam Freeland's "band" project, originally launched off the back of the rather awesome 'We Want Your Soul' back in 2003. The harder, rock influenced sound was a departure for Freeland (the man rather than the 'band') from his nu-skool breaks origins but the ideas just seemed to run out over the length of the album, ending up like a breakbeat version of the abysmal Kosheen.

When 'Under Control' dropped a couple of months ago it got BlackPlastic a bit excited. The vocals clearly wished they were LCD Soundsystem's James Murphy but the overall package had enough attitude to make it work, particularly on Alex Metric's mix. Incorporating 'Under Control' as a starting point and recruiting a number of successful musicians an producers (Tommy Lee, the Pixies' Joey Santiago and Jerry Casale of Devo amongst others) things looked good for Cope...

...And on the whole, it delivers. Whether it is on the dread-soaked, paranoia drenched 'Strange Things' or the melancholic M83-esque downer 'Mancry' Cope is likely to have moments that appeal whatever your taste. The variety of styles and techniques that Freeland has obviously picked up through DJing and remixing really pays dividends here - BlackPlastic has long sung the praises of Freeland's mix of B-Movie's eighties track 'Nowhere Girl'. The distortion and shoe-gazing sounds on that remix and his Global Underground disc it featured on are all over this.

So it's not perfect. It's a little long and there is a little bit of padding plus BlackPlastic can't help but long for the faster, harder remixes. But the best things often aren't perfect: in a similar way to Evil Nine's They Live! from last year, Cope is likely to keep you coming back regardless.

As a faster check out the free mix Adam put together for Discobelle. It encompasses a number of Cope's tracks in a more dance floor focused mix.

Cope is available to order now across a variety of formats from Freeland.fm.

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