Listen: On My Mind — Don’t Connect

On My Mind is a track from London-based collective Don’t Connect, and it represents a deliberate choice to eschew expectations and go against mainstream conventions.

With raw production, On My Mind weaves together tight, punchy drums, loose acoustic guitar and synths. Atop this, a lazy drawl delivers a diatribe against money and conformity, and the song’s aesthetic and message converges on a single point: That integrity and experiences trump bragging and self-image.

That message comes to the fore in the closest thing the track has to a chorus, which rejects the value of money and drugs:

“Fuck a bill, take my money any day, wanna feel, shit you can't buy anyway … Fuck a pill, I don't wanna marry Jane, I'm for real, high enough on night and day”

The slightly downbeat yet pacy aesthetic give On My Mind a grunge-meets-hip-hop feel that I can’t get enough of, and I love the honesty of the message. Check it out below:

Listen: Done — Luna Morgenstern

Done is the kind of instantly infectious track that instantly puts a spring in my step and makes me want to be a better person.

Luna Morgenstern’s new song is about finding liberation and independence as a young woman, and being free of the notion of your existence being to provide pleasure to the male gaze. It’s an empowering and important message, and Morgenstern delivers it with exactly the sense of empowerment it deserves.

The 80s-influenced synths in Done’s opening and its background shouts invoke the sounds of Taylor Swift and Carly Rae Jepsen, but the stuttering percussion and low bass lend Morgenstern her own aesthetic. The result is determined, unapologetic and as infectious as hell. Pump up the volume and dance.

Listen: In The Night — Soma

Stockholm-based musician Soma last appeared on these pages last year with her effervescent single, Slow, which energetically portrayed the experience of cautiously moving on from someone.

What struck me about Slow was the way it still felt like it hinted at possibility and hope, whilst dealing with a topic that ultimately invokes sadness. In a sense, In The Night picks up where that song left off, in that it shimmers with an excited sense of possibility. Where Slow was about letting go and moving on emotionally, In The Night is a tribute to humanity, and more specifically our bodies. Describing the song, and the significance of its release now, Soma says:

“This is a song I’ve had with me for the past 3 years. It has seen many phases, several different productional styles and finally found its form on the cusp of the pandemic that we’ve all come to know so well. In March 2020, I made the decision to put the release on hold. At a time when the world was, and still is, struggling to cope with deep shock, friends and family members losing their jobs, and some their health and lives, a song that so brutally celebrated the body felt like a sin.

“Today, the same song that started out as a catchy tune with no remarkable depth, is nothing short of a tribute to our magnificent human bodies. Big or small, confined or free to move, in pain or in bliss, our human bodies are the containers and the pure expressions of life-stories. From our nearly unbearable intergenerational trauma to our secret one-night-stands.”

In The Night is the first track Soma has produced herself, and comes in advance of her upcoming EP, Make Me Human. Check it out below:

Listen: 21 — KIND. x Wyldest

With production work from KIND. and lyrics and vocal courtesy of Wyldest, 21 floats on like a daydream, recalling snatched memories from a point in life when you grow and mature. The song depicts the growing self-confidence of being in your early-20s.

KIND. is the moniker of London electronic producer Julian Wharton. Having played with successful dream pop band Dios Mio, Wharton got experience writing music in the group as he played guitar. In 2018, he began to focus on his own sound as KIND., initially producing and engineering for other artists before exploring a solo career that continues to draw on his dream pop roots.

KIND. and Wyldest met when sharing a stage in London’s live music scene, Julian at the time playing with his former band Dios Mio. Together on 21 they have created something contemplative, cinematic and yet also accessible. As it launches into the chorus, 21 conjures a certain sense of self-assured determination and I particularly appreciate how it contrasts with a more reflective sound in other parts of the song.

Watch: Sleep — RYD feat. OK Button

Regular readers of BlackPlastic will likely know that I suffer from anxiety. One of the things I haven’t discussed much is how this impacts my sleep. The moment when everyone else goes to sleep can be a trigger for me — I am never as alone as during those hours when everyone else is asleep.

At the end of a long day, bedtime is where our brains start to unspool and process what has happened. Unfortunately if you suffer from anxiety, it is also the point at which your brain can get tied up in what certain things mean. Why did that person say something in a particular way? Is it significant that someone didn’t respond to a message? Why did I do that stupid thing? In the light of day, the edge on those questions has a tendency to dissolve but, at night, they can swallow my whole brain. Unanswerable, unresolvable and yet seemingly impossible to ignore. In those moments, the night seems to expand to infinity and the potential for loneliness can seem endless.

RYD is the creative alias of 25-year-old producer and songwriter Ryan Downie, and Sleep comes as the title track of a new EP, out now. Sleep is RYD’s first release since his 2019 eponymously named debut album.

The song Sleep feels like an exploration of those moments when you are trapped between sleep and being awake, caught up in the snatched memory of someone. The song’s central repeated refrain, “Now I’m losing sleep over what you said to me”, encapsulates perfectly an experience I know all too well. The layered vocals create an experience not too dissimilar to that of drifting in and out of consciousness, unable to shut my brain down but also unable to control it — snippets weave in and out to create cyclical, endless thoughts. And yet RYD’s production work gives the whole thing a quasi-peaceful feeling: you are safe, in your bed, and it will be okay. It’s a sensation only further cemented through the contribution of the lovely OK Button, who appeared on these pages back in 2018.

Having been the product of more than a year’s effort, the release of the Sleep EP comes together with an accompanying app, Sleep Room. The app aims to bring together the world of music, art and mindfulness, providing users with the opportunity to experiment with the loops that make up the songs on the new EP.

The inspiration from the app came out of the experience of lockdown last year, as Downie explains:

“A bedroom is a place where you generally feel safe and have no outside judgement looming, a paradise for introverts. Each item in the room triggers a different stem from the (Now I’m Losing) track, an intro to Sleep on the forthcoming EP. The initial tracks are a significant build-up of emotions, the introduction of different sounds and vocals coming as new thoughts that meld into one. All items in the room trigger different connotations and sentiments, of thoughts playing together in harmony like a stream of consciousness we can effortlessly converse with ourselves, moving from one unrelated thing to another whilst all seeming so natural.”

I love the level of thought that has gone into this release, but I also appreciate how well it landed for me emotionally. Check out the song Sleep below, the app here and look for the EP itself here.