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Kayla Grace

Bird In A Cage

Watch: Bird In A Cage — Kayla Grace

February 24, 2021 in video

This week the UK government announced a tentative timeline to take us out of lockdown and return us back to normality, whatever that means. The fact that they think we could be mixing in nightclubs and stadiums as soon as June is both heartening and somewhat disturbing. It has frequently felt like there might be no end to COVID-19. I find the fact that we are staring at a future so unknowable overwhelming.

Yet even as I contemplate being able to see my family and friends again, I still frequently think about loss. The people who we lost and didn’t get to say goodbye to, the relationships that went on hiatus, the life experiences missed, the colleagues who found new opportunities in the space between when I last left the office and when I will eventually go back. Those won’t ever come back. By the end of this, I will likely have spent 1-2% of my life ‘locked up’, and that weighs on me. In is undeniably a comfortable form of incarceration, yet it still feels like a waste in much the same way as I have felt a stint in prison would.

In my opinion, those that have suffered the biggest loss through this are the young and the old. The elderly have been segregated from society and denied the opportunity to say goodbye. The young have had to endure COVID-19 as a larger proportion of their life than those of us who are older — my son has spent 20% of his life so far in lockdown — that feels overwhelming when you think about the perspective it creates. And it feels as though many young people have been robbed of their hope, their sense of opportunity and possibility.

Kayla Grace is a musician from Watford who left home to study music at ACM Guildford only to have the experience she signed up for entirely changed beneath her feet. On Bird In A Cage, she expresses the frustration and sense of loss that rings true for most of us, yet is harshest for those that were just stepping into adulthood. It’s a beautiful track — delicate melodies play out beneath lyrics that encapsulate how this all feels. There are little couplets here that are perfect — “I want to hold your hand, but I just hold my tongue … I want to kiss your neck, but I just kiss my teeth”. When Grace sings “My last teenage years have been stolen from me”, it really hits home.

Check out Kayla’s DIY video, and read about the feelings behind the track below:

“Bird in A cage is, to put it simply, a song about lockdown. It’s painfully relatable but feels so personal and I think it’s something I needed to get out of my system to comprehend how much life has changed for everyone since coronavirus. It’s got this kind of irony because I’m complaining about my birthday being on a Zoom call while people are literally dying, but I think it just shows the reality of the situation and how differently it's impacted everyone.

I’m in my final year of university and I’ve not really left my bedroom all year but I’m still putting this pressure on myself to be grateful that I’m even alive and healthy. I think a lot of people will resonate with the feeling of being isolated and trapped (like a bird in a cage) and all I’m hoping is that the song will help them realise they’re not truly alone. We’re all in this situation together and one day it’ll be okay again.”

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Thals

Lo2Hi

Watch: Lo2Hi — Thals

February 16, 2021 in video

Thals is a half-Columbian, half-Spanish musician who channels indie and skate culture to make aggressively honest scratchy pop music. Lo2Hi sees that sound land in the form of a weightless shoe-gaze melody, bristling with angsty nervousness and stubborn hopefulness.

That sound makes sense when you reflect on the fact that Lo2Hi is channeling the swinging anxiety that comes as you fall in love… The lows and highs you only experience when you begin to place your happiness in the hands and at the mercy of another person. I love the moment here where the song melts into the bridge, evoking the weightless, listless feeling that falling in love conjures.

Lo2Hi arrives in a flurry, and it feels like the excitement and rush of both a heart stopping conversation with a crush and a jaunt on a skateboard all at once. Check out the video below, which has me really missing London as I near my first anniversary of enforced working from home:

Tags: thals
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Loverground

Be Patient

Listen: Be Patient — Loverground

February 12, 2021 in stream

Be Patient starts with a combination of slightly reverb filled percussion, hushed vocals and synth pads. The result is something that feels warm, approachable and cosy. From there the song moves into a gently bumping sound — clipped bass and tight drums giving the track a sense of understated momentum that contrasts with some daydream-esque arpeggiated melodies.

Loverground is the musical project of London-based French-Argentinian musician and producer Kevin Erlicher. Having previously fronted the indie band Smooth Ends, Erlicher has moved towards the sounds of lo-fi house. Following Easy :) and About You, Be Patient is Loverground’s third single. Describing the inspiration behind Be Patient, Erlicher explained:

“I wrote the lyrics as if I was writing a letter to my future self… ‘Break through, feel love from another. Straighten up, be a man, be a lover.’

These lyrics are a series of advice I give to Kevin from the future, as I was quite lost at the time both career-wise and in my personal life. I took some time to work on myself and I now feel that my life is resembling more and more what I envisioned in those lyrics. There is still some work to do but it feels like it is going in the right direction.”

Check out Be Patient below, and look out for Loverground’s five-track EP, set for release later in 2021.

Tags: loverground
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Pr0files

Everybody Wants To Rule The World

Listen: Everybody Wants To Rule The World — Pr0files

February 11, 2021 in stream

Hands down, one of my favourite acts of the 80s is Tears For Fears. Songs From The Big Chair is one of those albums I just always go back to. A lot of 80s music appeals specifically because of the age and period it exudes. In the case of Tears For Fears, and in particular Big Chair and The Seeds Of Love, the music doesn’t show its age in the same way as most of their contemporaries.

Take a listen to the big chords of The Working Hour, ticking back and forth like a clock before they are embellished by that luxurious saxophone. Or the sparse opening of Woman In Chains, a song that is both full of space and full of detail. These are songs that don’t feel old — instead they evoke a feeling of “they don’t make ‘em like this any more”. These are songs that feel expensive.

But it’s 2021 now. I haven’t featured LA duo Pr0files since their début album, Jurassic Technologie, came out in early 2016. The world has literally changed pretty much in those intervening years, but it feels a little like Lauren Pardini and Danny Sternbaum never went away.

Back with a cover of Tears For Fears’ career-defining Everybody Wants To Rule The World, Pr0files draw on the feelings of luxury that the song evokes. In contrast to the feeling of an ostentatious getaway retreat that the original conveys, the technical and mechanical feeling conveyed through the duo’s use of synths and drums gives this a more urbane aesthetic. It’s less “on a yacht” and more “at a beach bar”. Or at the very least, “on the underground, dreaming of being on a yacht”. But hey, it’s a pandemic — right now being on the underground seems less accessible than a yacht. So maybe the underground IS luxury.

Pr0files: welcome back, what took you so long?

Tags: pr0files, tears for fears
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Ormiston

Rebel

Listen: Rebel — Ormiston

February 10, 2021 in stream

Hailing from Montreal, Ormiston is a singer, songwriter, musician and producer focused on making music that channels disco, indie chillwave and yacht rock. It’s the latter sound that I feel sets Rebel, Ormiston’s debut single apart. There is a frisson at play at the interplay between Rebel’s indie scratchiness and the laid back, sun-baked feel of the bass work.

Having been born into a bilingual family, Ormiston grew up surrounded by female musicians. Having produced a tracks for a number of other musicians, he is now looking to release his own music, working on an album set to be released in spring 2021.

Rebel is an infectious piece full of taught and urgent instrumentation. Together, the layered guitars, bass and drums surround Ormiston’s vocal in a way that feels deliberately opaque - aloof yet dreamlike. It’s the sort of thing I could imagine feeling at home in a Sofia Coppola movie. Check it out below;

Ormiston - Rebel (Audio) 1st single off my upcoming album coming in 2021 on Lisbon Lux Records. Follow me: Facebook : https://www.facebook.com/ormistonmusic​ Instagram : https://www.instagram.com/ormistonmusic​ Lyrics I tried to be right I’m afraid it might be the wrong choice It’s always the same thing Broken mirrors on the floor Help me girl I’m sorry ‘bout the things I said Ah, ah You need to know I’m not trying to pretend no more I’m a rebel sometimes I know Oh I know I’m a rebel sometimes I know Yeah I know That’s right I must have been mad Found myself again on the wrong side You can see all around you Broken mirrors on the floor Help me girl I’m sorry ‘bout the things I said Ah, ah You need to know I’m not trying to pretend no more I’m a rebel sometimes Oh I know Oh I know I’m a rebel sometimes I know Yeah I know That’s right When I cross the line And you can’t think twice And I cross the line Can’t you see it’s fine I’m a rebel sometimes Oh I know Oh I know I’m a rebel sometimes Oh I know Yeah I know That’s right Ah… Ah… Ah… Ah… Ah… Yeah ah…

Tags: ormiston
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BlackPlastic.co.uk is an alternative music blog focused on sharing the best electronic music.



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