Listen: Love You Too - Robert Loud

Robert Loud is a touring member of The Killers, but with Love You Too he is looking to reach out and release his own music.

Love You Too was written in hotel rooms with Killers vocalist Brandon Flowers whilst on tour in Australia. Robert’s general way of working is to record whilst travelling, then work with his drum machines in his home studio.

The resulting track combines the emotive lyricism of The Killers and key influence Kate Bush, with the kinds of experimental and electronic influences Robert Loud cites, including LCD Soundsystem. There is a stoic, unfussy feeling to Love You Too, which Robert produced himself, with Mikaeline “Blue” Bluespruce (Blood Orange, Solange, Empress Of) mixing the track. It feels like the song takes the straightest line towards the exact emotional sentiment it wants to land - bouncy electronic bass, deep 808 style drums and glossy keys. The main vocal is heart wrenching, but it is when the female led chorus enters, half instructional statement, half bandaid, that the song really lands it’s statement: “Nobody can love you if you can’t love you”.

Sometimes loving people is hard. Sometimes being loved is hard. I know there have been times when I need seemingly endless reassurance and reinforcement of love... Insecurity and a bottomless well of neediness leave me feeling empty, ignored and worthless. I try to remember the actions, the velocity, the direction, but sometimes I forget, and I know it can be a drain on those around me, like the value of their love is somehow in question.

So yep... Loving people is hard. Particularly yourself. But it’s so important, and this record is a wonderful reminder of that.

Produced by Robert Loud Guest vocals: Jenessa Smith Additional musicians: Brandon Flowers, Aaron Anderson, Stuart Maxfield Mixed by Mikaelin Bluespruce Mastered by Joe LaPorta Written by Robert Connolly and Brandon Flowers

News: Jon Hopkins announces Polarity tour 2020

Following his sellout Singularity tour, electronic music wizard Jon Hopkins has announced his upcoming Polarity tour.

One of the things that always strikes me with Hopkins’ music is his ability to combine both the dramatic, distorted electronic elements of his sound with fragile, delicate and beautiful moments of quiet. His standout album Immunity leant into this contrast, with the first half taking a far more electronic and upbeat approach before plunging into beautifully melancholic and slower second half.

It is this sense of distinct tension that Hopkins intends to explore with his Polarity tour. The show will tether together “the two disparate elements of harsh and fragile in my music,” Hopkins says. “And by going between the two, we’ll hopefully create some profound moments of stillness.”

With Hopkins at times playing a grand piano, he will he joined on stage by a number of additional live musicians. The tour takes in a number of venues across Europe, with London’s legendary Royal Albert Hall playing host on 18 March.

Tickets are available now at jonhopkins.co.uk

Watch: Right Here - Chitchat

Chitchat are a musical duo from Denver, Colorado, who take inspiration by human interaction and the unspoken moments that often go unnoticed. The band name itself reflects this - an attempt to create a focus on lighthearted introspection focused on everyday connection.

With Right Here, Chitchat sought to write a pop song about love, inspired by a mid-summer night spend falling in love in the backseat of a car parked on the side of the road. Unlike most modern love songs, with Right Here the duo had a unique focus:

“We really wanted to write a feel-good love song that focused less on the physical aspect of falling in love (as so many modern love songs tend to) and instead shift attention toward the ways we change our communication with someone as we begin falling in love.”

That funny moment, when two people both feel something happen but it’s too new to shine a light on... It’s one of the best feelings of connection out there. Sentences that end with “and... and... and...” and conversations that never quite end and feel like they bleed into days.

The resulting song buzzes with analogue electronics and sweet vocals in a way that reminds me of Sylvan Esso. The production work here is impeccable and full of little touches. The deep synths, rhythms that pop and crack with a burst of treble, and a vocal that playfully cuts back and forth, childlike in its unbridled enthusiasm.

Right Here is Chitchat’s first original release. Check it out below.

Listen: Skeleton Castle - Elodie Rêverie

Elodie Rêverie is an Brooklyn native turned LA-based musician. She began writing and producing her own music in just January of this year. Skeleton Castle is a great representation of her talent - a slightly weird, left field pop record about ancestry and history.

As Elodie explains, Skeleton Castle is about her getting in touch with her family history:

“I wrote the lyrics for this song on a songwriting retreat in Scotland when I revisited the ancient ruins of a castle owned by my ancestors I’d previously convinced by family to visit over 10 years ago-the song explores making peace with divorce and growing up. I produced the beat in my hotel room in London after the retreat and recorded vocals the next day at Strongroom.”

Skeleton Castle was mixed by Mark Needham, who is known for his work on Mr Brightside. For me, what makes this record stand out is the catchy essence of the vocals combined with the synth-heavy chorus. As Elodie sings of being at the Skeleton Castle, the electronics combined with this earthy, grungy guitar work to make something that feels both grounded and otherworldly. It’s pop music, but not quite as you know it.

Listen: The Queen Ann’s Revenge - Bad Pilot

Taken from Bad Pilot’s new EP, Hybrids, which is out today, The Queen Ann’s Revenge feels like a crescendo of sparks and dreams, the memories of your favourite moments as they slip through your fingers. Busy drum beats clatter, high pitched vocals conjure the same child-like wonder of Arcade Fire at their best, and electronics spinning weirdly out of control.

Queen Ann’s Revenge was recorded in the band’s rehearsal room near Paris, and was inspired by famous female pirates Mary Read and Ann Bonny, depicting them escaping on the ship the Queen Anne’s Revenge. In its depiction of escape, and the idea of running away with treasures and one another, the song is a story of love and freedom. As the vocals cry out their jumbled lyrics, they capture a feeling, a yearning for the dreams we never quite land, “I wanna be lucky, I wanna be lucky too ... wanna make you madly happy next time”.

I feel a little lost in this music... It instinctively makes me want more. To feel more, to love more, to be loved more, to experience more. We only live once, and so I say tie me to the mast, let the waves break me and the sun scorch my face and the seagulls pick at my flesh, for we only have so much time to write our story, and I want mine to last.

Check out Queen Ann's Revenge below, or the full EP as a YouTube playlist here.