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THE BODY IS A DANCEFLOOR
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Reptar

Album: Lurid Glow - Reptar

April 29, 2015 in video, review, album review

Lurid Glow is the follow-up album to Athens, Georgia band Reptar's Body Faucet and it is nothing short of a explosion of indie-dance-plastic-rock. Like the sound of Modest Mouse and Talking Heads stuck in a lift, Lurid Glow is full of nervous energy and infectious hooks.

Lurid Glow - Reptar

Opener No One Will Ever Love You sets the tone, guitarist and vocalist Graham Ulicny’s yelping vocals pouring out like urgent catcalls whilst the remaining members conjure a stuttering crescendo of noise. It’s exactly what a band named after the dayglo dinosaur in Rugrats should sound like.

It is slightly later on that Lurid Glow really demonstrates what Reptar are capable of however. Cable is a jazz-funk hot-mess of a track. Ulicny’s vocals alternate between high-pitched squeals and the beast-like shouts that punctuate the end of each line of the verse in what must be the most terrifying vocal performance since Future Island’s Waiting On You. It’s the kind of track where every single second feels impossibly brilliant. The drilling brass kicks that start each off each bar, the staggered rhythms. And it has the best bridge you will ever hear - everything seemingly melting into a sunshine melody before the repeatedly shouted refrain, a plea of “I wanna be yours” that sounds genuinely desperate.

With a relatively short duration of 42-minutes, Reptar still manage to fit in some variation here. Just when you think you have them pinned down they throw in something like the soft, ballad like Amanda, a track that calls to mind the worldly maturity of Vampire Weekend. Every Chance I Get revolves around an REM-sized chorus, Ulicny doing his best to express emotion through a wall of lyrical obtusity. His urgent delivery culminating with the band almost physically hammering the point home.

Their debut met mixed reviews, but out of the albums I’ve heard so far this year, none has kept me as entertained or intrigued so much as Reptar’s Lurid Glow. It's a bit day-glo and you can rightly accuse them of taking inspiration from some of the past decade's best bands, but in Lurid Glow it feels like Reptar have hit their stride.

Lurid Glow is out now on Joyful Noise. Order from iTunes [affiliate link], stream on Spotify above and check out the video for Cable below.

Tags: reptar
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Gallant

Stream: Talking In Your Sleep - Gallant

April 27, 2015 in stream

LA-based future R&B star Gallant has just followed up previous breakthrough track Open Up with this new track, Talking In Your Sleep. It's a dense, fizzy sounding track that sees Gallant's fantastic vocal range set against complex but poppy production work from STiNT that writhes and stutters as Gallant pours out his feelings.

As well as the track below check out his notebook, where Gallant has written about the song.

on spotify: https://open.spotify.com/track/60RQzkEUiZePyMOfvWWTpk hoping they could treat you better are you running out of patience? kissing up to fortune-tellers have you given up already? you're uncertain-- flying out of focus I can hear you talking in your sleep, waiting for your bus even though you know you'll end up walking a mile on your own and you can't seem to break out of talking in your sleep, waiting for a love-- even though you know you'll end up walking a mile on your own, you can't seem to break out of it lucid dreams and sunken treasure, lost another one; too many is the figure getting any closer? overheard you saying that you're scared of the silence around you in the back of the gutter of your mind I can already see it -- prod. by stint

Gallant on track Talking In Your Sleep

Tags: gallant
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Body Close - Lyves X Synkro

Stream Body Close - Lyves X Synkro

April 26, 2015 in stream

Following on from her track Shelter back in February comes this, a collaboration with Manchester based musician Synkro.

Lyves is North London-based singer, songwriter and producer Francesca Bergami, who is of Australian and Italian heritage and grew up in Portugal before settling in London to study psychology. Body Close is the second track from Lyves' forthcoming debut EP and Synkro's production style provides a perfect platform for Lyves' vocal delivery.

Synkro is signed to R&S sister label Apollo and his debut album, due later summer 2015, will also feature Body Close.

Tags: lyves, synkro
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Commute - Contour

Commute - Contour

Video: Commute - SSWIII x Contour

April 25, 2015 in video

Love this highly dynamic video from visual artist and graphic designer Switzon Samuel Wigfall, III. Sometimes going by the name SSWIII, Wigfall says he is inspired by: ""things" I love since I was a child drawing on everything with a bunch of crayons: sci-fi movies, robots, machines, geometric shapes, and the power and play of colors".

The video itself has a fantastic grungy 90s DnB feel and the whole pink filter makes it feel like a crazy Wipeout experience from The Zone. The music comes from SSWIII friend and collaborator Contour, real name Khari Lucas, and it has a soulful garage / drum 'n' bass sound.

Wigfall is inspired by music and often works with abstract visuals in his VJ work. The music Wigfall works with includes the likes of Daft Punk, Flying Lotus, Bonobo, RJD2, Luke Vibert and Aphex Twin, and you can see that in his visual aesthetic.

For more from SSWIII check out his website and for VJ clips checkout his Vimeo page.

Watch the video - go fullscreen and turn the volume up:

"Commute"™ | [fullscreen / volume high please] | More short films: switzonwigfall.com Become a fan: facebook.com/sswll Free VJ source material: vimeo.com/channels/switzon Twitter: https://twitter.com/SSWIII Audio: Contour - "Commute" - http://bit.ly/1yc1efY Become a fan [Facebook]: http://on.fb.me/1DIdzeb Soundcloud: https://soundcloud.com/con_tour Follow on Twitter: https://twitter.com/itscontour More short films/info: switzonwigfall.com



Tags: sswiii, contour
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Hazel English

Stream: Never Going Home - Hazel English

April 24, 2015 in stream

Australian-born but Oakland, California based artist Hazel English has just put this new track out from her debut EP and it's positively bristling with excitable spring-energy AND autumnal introspection, making it perfect for both those in the Northern and Southern Hemispheres.

English cites influences that include the Cure, Stevie Nicks and and The Smiths, all artists you can hear in Never Going Home's jangling instrumentation and softly delivered vocal melodies.

Never Going Home is for those that have moved and travelled away from home, says Hazel: "The song is about moving overseas, the feeling of being drawn to California, and really finding myself here."

Look out for the EP when it comes this summer. 

Tags: Hazel English
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