Morris' vocal delivery is difficult to argue with - the frequent use of overdubbing means it is a somewhat brassy execution, yet it suits the songs themselves well. On the whole this a set of bold and assertive pieces, tracks like Spitting Teeth holding no punches in portraying Morris as a lady who is prepared to get her hands dirty.
Which isn't to say Morris doesn't have a voice - the more soulful tracks where the instrumentation taks a half-step back allow her to open up. These turn out to be some of Banshee's most memorable moments - If You Didn't Go's resignated acceptance feels personal in a way some of the other tracks here can't. Similarly, Here switches between hurt Rhodes based gospel blues to emphatic and pleading big soul choruses. It is the best of both worlds, the space letting the verses breath before all that power is unleashed, and marks the album's standout moment.
Banshee is an intricately produced album - almost to the extent that the production gets in the way and feels a little too much. But there is no denying that Morris knows a tune, and all that production work certainly lends proceedings some energy - I wouldn't want to be Morris' next love, because if they step out of line Banshee just might kick their ass.
Banshee is out on 10 February through Naive Records. Available for order from Amazon.co.uk on CD, LP and MP3 [affilaite links].