Album Review: Talking House Volume One - Various Artists

Talking House Volume One

I'm off to Stockholm on (what I'd say is) a well-earned holiday the week after next so when this new label compilation from the city's Local Talk label I was keen to check out what the city might sound like when I get there.

Turns out if this album is anything to go by then I should like Stockholm just fine. Local Talk specialise in classic House music and whilst there has been a significant movement back to the classic late-eighties / early-nineties House sound I've not heard any labels that encapsulate and focus on that sound quite this well.

Whilst there are no big name DJs here, Local Talk's releases have had support from DJ Sneak, Deetron and Steve Bug amongst others and there's plenty here that would add some cool to a house set.

Talking House is a label album so in my view that almost always guarantees a few duff tracks and there are admittedly a couple of moments that drop the pace. Dirtytwo's Moody is too long and not enough happens, for example. On the whole though it's a surprisingly consistent set.

The inspiration for some of the material is often quite clear - Andreas Saag's Back To Life recalling Strings Of Life's synth strings and Mateo & Matos' MAW Basics clearly a tribute to Masters At Work - but that love for the sound is actually somewhat endearing.

There are a raft of stand-out moments. The snappy disco-influenced First Time House from Fulbert is encircled is string samples and layered filtered samples in a way that spans genres and feels classic but fresh, almost Germanic in approach. Heart Attack by Tanzlife drops a string orchestra in the break and combines it with some vocal sample pitch manipulation to create a track the skirts a less authentic style of house but it's hard not to raise a smile listening to it.

Best of all are the two tracks that mark the end of the first and second halves of the album. Mid-way through, Kyodai's Breaking is a jazzy track complete with imperfect, scattershot drumming that gives the track a wonderfully alive, engaging sound. The album ends on Local Talk's first release and crossover anthem Moon Shadow from Bassfort. It's a track that builds from a locked minimal groove into an unexpectedly maximal piano House track, moving from clinically placed beats to big warm keyboard melodies.

They may occasionally stray into more commercial territory but Local Talk have a good thing going on here. I'm looking forward to checking out Stockholm all the more for hearing it!

Video: The Curve - Golden Void

Golden Void - Golden Void - out now http://thrilljockey.com/thrill/Golden-Void/Golden-Void video by Alexander Theodoropolus alexandertheo.com Golden Void tour dates: Fri Feb 15 San Francisco, CA - Slim's w/ Graveyard Sat Feb 16 San Francisco, CA - Slim's w/ Graveyard Mon Apr 8 Prague, Czech Republic - Klub 007 Tue Apr 9 Berlin, Germany - Jagerklause Wed Apr 10 Dresden, Germany - Ostpol Thu Apr 11 Linz, Austria - Kapu Fri Apr 12 Innsbruck, Austria - PMK Sat Apr 13 Milan, Italy - Lo fi Club Tue Apr 16 Lyon, France - Le Sonic Wed Apr 17 Paris, France - Point Ephemere Thu Apr 18 Antwerp, Belgium - Trix Sun Apr 21 Tilburg, Netherlands - 013 venue (Roadburn Festival)

Golden Void's self-titled debut from last year was a heady rush of bluesy psychedelia. The BlackPlastic.co.uk review featured a video for 'Virtue' but that was nothing compared to the band's latest video, this time for album highlight 'The Curve'.

Directed by Alexander Theodoropolus the video perfectly visualises the crazy distorted psychedelic sound of the song - giant gods, floating in space, nude yoga poses, deserts... It's got the lot.

Golden Void is out now on Thrill Jockey, available from Amazon.co.uk on CD and LP [affiliate links]. You can catch the band on tour (although provided a jump to the continent isn't a problem, sadly):

  • Mon Apr 8 Prague, Czech Republic - Klub 007 
  • Tue Apr 9 Berlin, Germany - Jagerklause 
  • Wed Apr 10 Dresden, Germany - Ostpol 
  • Thu Apr 11 Linz, Austria - Kapu 
  • Fri Apr 12 Innsbruck, Austria - PMK 
  • Sat Apr 13 Milan, Italy - Lo fi Club 
  • Tue Apr 16 Lyon, France - Le Sonic 
  • Wed Apr 17 Paris, France - Point Ephemere 
  • Thu Apr 18 Antwerp, Belgium - Trix 
  • Sun Apr 21 Tilburg, Netherlands - 013 venue (Roadburn Festival)

EP Review: Flex - Pool

artist: Pool title: Flex album: Flex EP label: 2DIY4 cat #: 2DIY4_07 release date: 04/02/13 recorded: David August song mastered by: Hans-Philipp Graf video by: D É J À V Ü video cast: Valentina H., Franziska R., Laura Z. video hair & make up: Aglaja Brix special thanks to: Marc, G.

When I reviewed their debut release Pool they were singing about videogames and I was pointing out their similarity to Alphabetical-era Pheonix. The subject matter may have moved on but the musical approach remains very familiar on this follow up release.

Flex - Pool

'Flex' is full of the tight guitar work and polished melodies that back a functional and bookish vocal. The slightly loose percussion and guitar riffs flecked with funk give this an infectious disco edge but it lacks just a little sophistication and emotion.

The dance floor sass of 'Flex' is countered by the more wistful 'Botox', with its chirpy verses and layered chorus. It feels a little deeper than the title track but in comparison to Pheonix's work, which often features obtuse lyrics that somehow still carry an emotional weight, this feels a little impenetrable. As a result the music is enjoyable but feels a little disposable.

Two remixes feature on this release in support of the originals. Stimming makes a return from the band's debut EP and offers 'Botox' up in the form of a deeper dub, full of dark grooves.

Aeroplane's remix of 'Flex' is the highlight of the EP and the best mix from (Aeroplane alter-ego, now it's a solo act) Vito de Luca I've heard in some time. It's a full 50 BPM slower than the original and adds some deep cosmic disco finesse to the original. The revision suits the vocals, creating a passionate track that more fully communicates the rhythm and desire it sounds like Pool were going for.

Flex is released on 18 February through 2DIY4.

EP Review: Driving Me Wild - Kahwe

Driving Me Wild EP - Kahwe

Driving Me Wild has moments that recalls the feeling when you walk into a club, building from snatches of noise and a quiet bass track. The big house piano that rides in late on into the first minute of 'Anything' captures that sense of rounding the corner and meeting the dance floor. Those keys drop, the room is in reckless abandon and everything changes.

Kahwe is 20 year-old Joe Cowie but this release would probably have you believe he has significantly more years in his record box than he does. Cowie's production work is based primarily around garage and 90s house but he manages to bring those two genres together without the spirit of either conflicting with the other, and at its best, the EP captures the very feeling of clubbing.

'Driving Me Wild' is a deep, a tightly focused house track with elements of soul in the vocal. The slick electronic bass seemingly bends round corners, creating a surprisingly melodic feel that provides a bedrock for the warm pads Kahwe throws at this track.

Despite a few retro touches the music on this EP comes off feeling surprisingly modern - the skittering beats and rap samples on 'Anything' adapted to suit the empty-pipe echoing bass noise. It's both respectful of the past and unafraid to experiment.

Final track 'Yew' is much more laid back. Whilst it retains a relatively uptempo rhythm the fuzzy sounds and blissful break create a very different atmosphere to round the EP off.

Driving Me Wild is released through Anjunadeep on 11 February, available to buy from Beatport here. Preview the EP below: