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EP Review: Disappearer - Avec feat. Jake Shears

Disappearer comes from Doorly and Shadow Child, who have formed a new partnership in Avec. Here they are joined by Jake Shears of Scissor Sisters, who applies his trademark falsetto vocals to an upbeat house track.

Shears and Scissor Sisters have never been my bag but this EP feels like a natural home for his vocals. The track itself is sunny disco house and as a result the vocals sit quite naturally on the melodic piano riff that makes up the track's central riff. It is only really on the chorus that the identity of the singer is obvious, and the main vocal hook is just a little too much for my taste.

Disappearer - Avec feat. Jake Shears

Thankfully a total of five remixes are included on this release and so there is plenty of scope for a little additional subtlety.

The Hauswerks mix starts with a deep looping groove before applying a large drop with some snappy garage drum beats - it's a lot more intense than the warm summery original. Martin Brodin does his trademark disco thing and really takes the track up a level, working the vocal into the track so that the final result has a much better flow. The People Get Real mix is another disco house mix, but this one builds to a climatic pace whilst a head-nodding bass line provides an infectious rhythm and a series of drum rolls and crashes give a tactile feel to the percussion.

The Sona Vabos Pitched Down Jackin Dub is deep, dubby and slowed right down to create a weird strung-out and techy vibe that bears little resemblance to the original. Finally the Maos mix is laid back and dubby with some warm bass chords and slow synth melodies.

Disappearer is out now through Southern Fried Records.

Video: Baby I'm Yours (feat. Irfane) - Breakbot

I used to associate Breakbot with the tired sounds of Justice and Ed Banger but he always manages to deliver the tunes and on this latest track it really feels like he's breaking out from that scene completely. We're still not in the league of organically produced disco that Daft Punk aspire to but 'Baby I'm Yours' is as close to that as it is to anything else...

​The video is also glorious and must have taken an age. It is composed from around 2,000 watercolour images to created a beautiful moving image. Credit to Irina Dakeva who created it.

Stick this on and head out into the sun to get burnt. Oh, and when it finishes check out Breakbot's lush remix of Phoenix's 'Trying To Be Cool':

EP Review: Seneca - The Range

On Seneca The Range follows up his Disk EP from last year on Donky Pitch with another EP of incredibly dense and percussive dance music.

The Range came to my attention a few months back when he released his fantastic Promises Edit into the wild. It's a stunning rework of Ciara's Promise that feels deep, sweet and thick like treacle, creating a big electronic sound around the vocal with smatterings of drum & bass rhythms as the track builds. Unfortunately it doesn't feature here, due to it's unofficial status, but it's worth checking out.

​Seneca - The Range

What we do get are three new original tracks and three remixes. PS 3 opens the EP, creating a spectacularly kinetic track of Asian-sounding melodies and flick-knife-quick rhythms. It's an impressively uplifting track, full of Eastern promise and clattering excitement - steel drums stuttering vocal edits and frenetic energy. It's pretty thrilling.

Greg Maddux Change Up is next, and whilst it retains the same complex, multi-layered rhythms it is downbeat in mood. Stirring, blue electronic melodies slowly play out in the background against brittle, cold keys whilst The Range's trademark pitched vocal samples sit high in the mix.

The final original track is Life Like This and it's probably more similar to that Ciara edit than the other tracks on this EP. Slower, though definitely not slow - it has just a little less energy than the other tracks here. Rapid drums and an Amen break still give the track energy, but it's also feels delicate and contemplative in tone - an observation of the non-stop chaos of life, perhaps.

Two remixes of PS 3 feature. Obey City create a slower track that plays up the Eastern elements of the original, adding strings, whilst Supreme Cuts deliver a deeper mix, full of sub-bass and a more minimal sound. Howse provides the remaining mix, this time of Life Like This, and it too is deeper, creating a thick, atmospheric track that still has complex rhythms but combines them with hazy melodies.

Seneca is out now through Donky Pitch, you can purchase the EP on Bandcamp. Check out that Ciara remix below:

EP Review: Slipstream / Pressure's On - Estate

Out later this month, this is the first release on Minneapolis' Bass Nites Recordings to appear on BlackPlastic.co.uk and it features local three-piece Estate, with remixes from Dirty McKenzie, DCUP and Sloslylove.

Slipstream / Pressure's On is a double a-side showing off Estate's funk and house influenced pop sound. They've toured with Yelle and Ellie Goulding amongst others and on hearing their sound it's clear why - this is polished, clean electronic pop. The band make a point of highlighting its appropriateness for both the dance floor and home listening, and it is unashamedly aiming to cross-over.

Slipstream / Pressure's On - Estate

Slipstream opens, a slick melodic number with yearning end-of-summer vocals, a crisp bass line, sparkling disco melodies and a series of warm pads. It's a little clinical, but the warm production and that bass make it a pretty enticing soundtrack to beers by a sunny pool. The vocal is fairly incomprehensible but in comparison to some of the populist EDM flooding the market state-side this is pure gold.

Pressure's On is a little funkier, but still fairly horizontal, with a loose bass line, snappy drums and filtered vocals. The synth melody picks out a soft melodic patter amongst the reverb of the percussion that gives the track a cool, relaxed feel.

The Slipstream remixes struggle to keep up with the original. Dirty McKenzie's Flutestream remix layers the vocals over a chugging funk bass and hands over the centre stage to a flute solo - neither do anything for me. It's a little campy but more importantly not really any fun.

Also remixing Slipstream is DCUP, who does what DCUP is known for, with the Australian taking the filtered disco / crunchy techno thing popularised by Ed Banger a few years back. It's a chopped-up, funky take on the original - unfortunately what it achieves in catchiness it loses in originality.

Finally Sloslylove gives Pressure's On a Ballearic overhaul - guitar licks emphasised, atmospheric chimes added and soft, off-time drums providing the smallest sense of forward momentum. It's the more successful of the mixes and helps Estate lose a little of that slickness that currently stops them from being great rather than good. ​

Slipstream / Pressure's On is released through Bass United Recordings on 25 March.