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EP Review: Slipstream / Pressure's On - Estate

Out later this month, this is the first release on Minneapolis' Bass Nites Recordings to appear on BlackPlastic.co.uk and it features local three-piece Estate, with remixes from Dirty McKenzie, DCUP and Sloslylove.

Slipstream / Pressure's On is a double a-side showing off Estate's funk and house influenced pop sound. They've toured with Yelle and Ellie Goulding amongst others and on hearing their sound it's clear why - this is polished, clean electronic pop. The band make a point of highlighting its appropriateness for both the dance floor and home listening, and it is unashamedly aiming to cross-over.

Slipstream / Pressure's On - Estate

Slipstream opens, a slick melodic number with yearning end-of-summer vocals, a crisp bass line, sparkling disco melodies and a series of warm pads. It's a little clinical, but the warm production and that bass make it a pretty enticing soundtrack to beers by a sunny pool. The vocal is fairly incomprehensible but in comparison to some of the populist EDM flooding the market state-side this is pure gold.

Pressure's On is a little funkier, but still fairly horizontal, with a loose bass line, snappy drums and filtered vocals. The synth melody picks out a soft melodic patter amongst the reverb of the percussion that gives the track a cool, relaxed feel.

The Slipstream remixes struggle to keep up with the original. Dirty McKenzie's Flutestream remix layers the vocals over a chugging funk bass and hands over the centre stage to a flute solo - neither do anything for me. It's a little campy but more importantly not really any fun.

Also remixing Slipstream is DCUP, who does what DCUP is known for, with the Australian taking the filtered disco / crunchy techno thing popularised by Ed Banger a few years back. It's a chopped-up, funky take on the original - unfortunately what it achieves in catchiness it loses in originality.

Finally Sloslylove gives Pressure's On a Ballearic overhaul - guitar licks emphasised, atmospheric chimes added and soft, off-time drums providing the smallest sense of forward momentum. It's the more successful of the mixes and helps Estate lose a little of that slickness that currently stops them from being great rather than good. ​

Slipstream / Pressure's On is released through Bass United Recordings on 25 March.

Video: The Curve - Golden Void

Golden Void's self-titled debut from last year was a heady rush of bluesy psychedelia. The BlackPlastic.co.uk review featured a video for 'Virtue' but that was nothing compared to the band's latest video, this time for album highlight 'The Curve'.

Directed by Alexander Theodoropolus the video perfectly visualises the crazy distorted psychedelic sound of the song - giant gods, floating in space, nude yoga poses, deserts... It's got the lot.

Golden Void is out now on Thrill Jockey, available from Amazon.co.uk on CD and LP [affiliate links]. You can catch the band on tour (although provided a jump to the continent isn't a problem, sadly):

  • Mon Apr 8 Prague, Czech Republic - Klub 007 
  • Tue Apr 9 Berlin, Germany - Jagerklause 
  • Wed Apr 10 Dresden, Germany - Ostpol 
  • Thu Apr 11 Linz, Austria - Kapu 
  • Fri Apr 12 Innsbruck, Austria - PMK 
  • Sat Apr 13 Milan, Italy - Lo fi Club 
  • Tue Apr 16 Lyon, France - Le Sonic 
  • Wed Apr 17 Paris, France - Point Ephemere 
  • Thu Apr 18 Antwerp, Belgium - Trix 
  • Sun Apr 21 Tilburg, Netherlands - 013 venue (Roadburn Festival)

EP Review: Flex - Pool

When I reviewed their debut release Pool they were singing about videogames and I was pointing out their similarity to Alphabetical-era Pheonix. The subject matter may have moved on but the musical approach remains very familiar on this follow up release.

Flex - Pool

'Flex' is full of the tight guitar work and polished melodies that back a functional and bookish vocal. The slightly loose percussion and guitar riffs flecked with funk give this an infectious disco edge but it lacks just a little sophistication and emotion.

The dance floor sass of 'Flex' is countered by the more wistful 'Botox', with its chirpy verses and layered chorus. It feels a little deeper than the title track but in comparison to Pheonix's work, which often features obtuse lyrics that somehow still carry an emotional weight, this feels a little impenetrable. As a result the music is enjoyable but feels a little disposable.

Two remixes feature on this release in support of the originals. Stimming makes a return from the band's debut EP and offers 'Botox' up in the form of a deeper dub, full of dark grooves.

Aeroplane's remix of 'Flex' is the highlight of the EP and the best mix from (Aeroplane alter-ego, now it's a solo act) Vito de Luca I've heard in some time. It's a full 50 BPM slower than the original and adds some deep cosmic disco finesse to the original. The revision suits the vocals, creating a passionate track that more fully communicates the rhythm and desire it sounds like Pool were going for.

Flex is released on 18 February through 2DIY4.

Video: Diana - Shiny Darkly

Press play above for downright noisy goth garage from Shiny Darkly, new on Copenhagen's Crunchy Frog label (responsible for the Raveonettes and Iceland's Apparat Organ Quartet amongst others).

'Diana' is a dark take on garage post-punk, full of reverb and distortion. The video is also confrontational - a disorientating riot of urban desolation, group dance and some fairly graphic scenes. Slightly NSFW.

Video: Quinzhee (Building Us A House Out Of Snow) - The Voluntary Butler Scheme

Pretty sure I caught this new single from The Voluntary Butler Scheme on 6music the other day. At the time I was way too tired to contemplate remembering what it was (it would have been about 6:30 am at the time)... As such I'm rather glad it dropped into my inbox on Friday!

The press release likens it to the Beach Boys and a Christmas song recorded in the sun, which pretty much nails it. Wistful and festive and fun.

'Quinzhee (Building Us A House Out Of Snow)' is out tomorrow on Split Records with the album, A Million Ways To Make Gold, following in March 2013. You can grab the single from Amazon.co.uk on MP3 or 7" [affiliate link].