Video: Baby I'm Yours (feat. Irfane) - Breakbot

I used to associate Breakbot with the tired sounds of Justice and Ed Banger but he always manages to deliver the tunes and on this latest track it really feels like he's breaking out from that scene completely. We're still not in the league of organically produced disco that Daft Punk aspire to but 'Baby I'm Yours' is as close to that as it is to anything else...

The video is also glorious and must have taken an age. It is composed from around 2,000 watercolour images to created a beautiful moving image. Credit to Irina Dakeva who created it.

Stick this on and head out into the sun to get burnt. Oh, and when it finishes check out Breakbot's lush remix of Phoenix's 'Trying To Be Cool':

News: John Hughes dies

In a bizarre twist of fate BlackPlastic just found this video the other day and was about to share it anyway (despite the fact it has been around for a few months) when the news broke that John Hughes has died.  The writer of all of those great 80s teen movies - the Breakfast Club, Ferris Bueller's Day Off, Pretty in Pink - his greatness cannot be disputed.

In tribute check out this beautiful mashup of scenes from a few of the 80s brat pack movies and Phoenix's 'Lisztomania' - it's lush.  The movies included are The Breakfast Club, Pretty in Pink, Footloose and Mannequin, of which the first two are Hughes' work.

If all this leaves you wanting to recapture more of Hughe's spirit through music might BlackPlastic recommend M83's lovely, lovely album Saturdays = Youth.

Album Review: Kitsuné Maison Compilation 7 - Various Artists

If Kitsuné Maison 6 was the melodic one and 5 was Gold then this one may sadly go down as the phoned in one. It's true ladies and gents, the Maison series has jumped the shark.

It's hard to put your finger on but there is just a general lack of any sense of care and attention here. Maybe BlackPlastic has come to expect too much but, for the first time on a Kitsuné album, there is padding on the tracklisting.

Chateau Marmont's vocodered 'Beagle' is possibly the world's dullest 80s / French house hybrid - whoever picked this out of all the tracks in the world needs a slap. Similarly Renaissance Man's 'Rythym' seems content to deliver exactly 0.3 ideas across the length of the entire track. Worst of all is La Roux's return on Lifelike's mix of 'In For The Kill'. Fine, it's a catchy tune - we already admitted we liked it - and we know Kitsuné were there first, releasing 'Quicksand' last year. And Lifelike is ACE. But seriously - we all know La Roux isn't cool and will be over before her forth single.

However - when Kitsuné Maison Compilation 7 works, it really works. And it is on the laid back, sun drenched tracks this happens most. Two Door Cinema Club sound like Phoenix at the top of their game on 'Something Good Can Work' whilst Phoenix sound like, well, themselves at the top of their game on the blissful Classixx version of 'Lisztomania'. Even the Golden Filter almost manage to explain their hype on the slow and funky 'Favourite Things' whilst Autokratz finally deliver on the Yuksek mix of 'Always More'. The highlight though - Prins Thomas' mix of James Yuill's 'This Sweet Love' is not just good - it's a glorious summer's walk of a track, surpassing anything that's ever appeared on a Maison compilation in BlackPlastic's opinion.

Inconsistent then - some of the best tracks from the series combined with some of the worst. It's a shame - a little more QC and Kitsuné Maison 7 could have been the best yet.

BP x

Album Review: Kitsuné Tabloid - Various selected by Phoenix

In a departure for Kitsuné this is neither remotely dance related nor mixed. It is a compilation in the classic sense, as Phoenix select a range of songs - almost all of which are at least ten years old (usually more) - that they love and that inspire them.

Being the well mannered possessors of catholic taste that they are, Phoenix's first compilation is a considered, methodical and, most of all, utterly beautiful affair. From the opening strains of Kiss' 'Love Theme From Kiss' the latest Kitsuné Tabloid (Digitalism provided the first) is like losing yourself in a good book. It's a journey full of texture and detail and feeling beyond that which should be provided by a mere Tabloid.

As you might expect from Phoenix the overall sound oozes intelligent sensuality. The sublime 'Rise Above' from The Dirty Projectors is a case in point - unbelievably for an artist that specializes in covering Black Flag records they have never heard it is a gorgeous piece of folk music with the kind of falsetto vocals that will soon have you making a fool of yourself when no-one is watching.

Pretty much every track is a highlight - whilst Elvis Costello & The Attractions' morose 'Shipbuilding', Urge Overkill's 'Stull (Part One)', Irma Thomas' 'It's Raining' and Lou Reed's stunning 'Street Hassle' stick in BlackPlastic's head but there are plenty more gems here. Oh, and of course Tangerine Dream's 'Love On A Real Train' is always gorgeous as well.

Phoenix have described this album as selfish - it's just what they would make for themselves. What's great is that in the hands of the right person, the selfish album they make for themslves is the most interesting. It's autobiographical and it's genuine.

BP x

Available on on CD (not available on MP3 yet as far as BlackPlastic knows, plus the artwork is lovely).