EP Review / Download: Sweat Mode - Ghost Mutt

The world seems to have gone a bit R&B crazy recently, with indie kids swooning over the Weeknd's rich, slow and dark production style and warts and all lyrical style. I've never been much of a fan of the genre aside from the odd track with particularly robotic production (Aaliyah's 'Try Again', Brandy's 'What About Us?’) but something is definitely happening. Kanye's My Beautiful Dark Twisted Fantasy totally changed my perception of what he was capable of as an artist, the confessional lyrics laced with self-loathing made the album an uncomfortable one to listen to. It's a style Drake seems to have been running with - his last album Take Care is full of moody, slow tracks and his staggering hashtag-styled continuous rap bursts.

Ghost Mutt may not be caught up in the same rat hole of self-doubt as all of the above but Sweat Mode nevertheless points a way forward for R&B. This is a very brief EP at just 12 minutes but it features four short jams that play up the best thing about modern R&B: there's no need to hurry. These songs may be short but they aren't fast - you've just got four sensual workouts that meld vocal snatches with echoing bass and space. It's feels like a natural meeting point between electro, dub-step and R&B and I can't help but feel impressed.

Stream it above - it is definitely worth checking out and available as a pay what you want download from Donky Pitch (in other words free if you are tight).

BP x

EP Review: Clase de 1984 - Niño

Niño's new EP, Clase du 1984, doesn't quite sound like anything I've heard in a while. Sat somewhere between dubstep, house and minimal the songs that make up this collection ultimately sound machine driven but there are organic elements to them. The resulting EP would feel as at home on Get Physical as Donky Pitch and reminds me of Layo & Bushwacka at their peak on Night Works.

Clase de 1984 consists of five original songs and three remixes based on a selection of these tracks. 'Innsmouth' and 'Buio Omega' are the most memorable tunes here. The former is built from stutters and starts, vocal samples slammed against beats whilst clicks and bleeps converge to make the whole thing sound like a robotic machine waking from a deep sleep. The Kelpe remix beefs up the bass and strips the production back a bit, the result being a track that does two things at once rather than six.

'Buio Omega' succeeds in creating an even more ominous vibe than 'Innsmouth', and with its heavy drum loop, rolling bass and pitched vocals it's the closest things get to dubstep on this release. But frankly this is more exciting than most things I'd label dubstep. The Offshore mix is bouncier and a bit more rowdy but, as with all the mixes here, the move towards simplification seems to miss the point. With Niño less is less.

Title track 'Clase de 1984' feels sunny compared to the rest of the EP, big fat keys painting an additional warmth and light-heartedness across the track that isn't shown elsewhere. 'The Man and The Earth' is little more than a laid back interlude whilst 'Bright Lights Big City' provides a fitting close with a sound that feels like it was made for playing against sunsets.

For electronic music the tracks here are all short - even the longest is just four-and-a-half-minutes, and that includes the remixes. It's therefore impressive that Niño manages to fit so much in to such a short body of work. It does however raise questions about how he could fill a full length release whilst sustaining interest - Clase de 1984 works in a short burst, a one inch punch of a record. Indeed, none of the remixes here add much to the originals and the EP would be more focused without them.

You can check out 'Buio Omega' at XLR8R.

BP x

Clase de 1984 is out now on Donky Pitch, available from Amazon.co.uk on MP3 [affiliate link].