Single Review / Stream: Orion remixes - Sons & Daughters

I was a big fan of Sons & Daughters' Mirror! Mirror! album that came out last year and the band have just followed it up with their second batch of remixes, this time focused on 'Orion' (Optimo and Andy Blake have already had a go at 'Silver Spell').

Have a listen in the player above. The Wrong Island mix is pretty decent, spacey and a bit spooky with a massive synth build whilst the Umberto mix is unfortunately pretty forgettable. It's the Emporer Machine mix you should really check out though. Emporer Machine is actually Andy Meecham, one half of the under-rated Chicken Lips, and this mix really takes the original to another level - it retains the same aggresiveness but cuts it through with bubbling electronic bass. It's pretty special and frankly a lesson in good remixing, probably adding as much detail and effort as the original recording.

BP x

The Orion Remixes package is released on Domino on 20 February, you can pre-order is on 12" from Amazon.co.uk here [affiliate link].

Album Review: Mirror Traffic - Stephen Malkmus & The Jicks

One of the few bands I discovered in my teenage years that I continue to develop a fondness for rather than a slowly building distance from are Pavement. Something about SM and the crew's absolute embrace of being a slacker shines to me as a more admirable ambition than that of a thousand try-hard rock stars, let alone all those bankers & politicians. Pick a cut at random from either of Pavement's first three albums and you will be greeted with something that sounds like the band could barely be bothered to exist, so how they managed to enter a studio and record music is beyond me. And it's spellbinding: horizontal to the point where any further would be perpendicular.

And here I will level with you - as big a fan of Pavement's as I am the solo material I have heard, from Malkmus or anyone else, has always left me a little cold. It lacked th (lack of) focus that made Pavement special. But, producer slut that I am, the announcement of Beck as the producer of Mirror Traffic had me a little excited.

And it turns out I had every right to be. Mirror Traffic arguably sounds like a better Pavement album than the last Pavement album. The slacker charm is here in full force and whilst it might not be Crooked Rain, there are a whole bunch of bloody excellent tunes. I remember reading of a spat between the Smashing Pumpkins' Billy Corgan and Malkmus (following a harmless dig from the latter on ’Range Life') in which Corgan counter-dissed Pavement (and still does), saying "people don't fall in love to Pavement... they put on Smashing Pumpkins or Hole or Nirvana, because these bands actually mean something to them".

The stupid thing about this exchange is that nothing could be further from the truth, and the same goes here, many years on. Much more so than on Malkmus' other solo work. Just listen to the gloriously catchy, scruffy guitars of 'Stick Fingers In Love' for example. Or the loose near-balladry of 'Share The Red', with Malkmus' vocal delivery of the line "I'll be watching all the time" in the bridge spat out in distaste. This music still packs the kind of passionate punch that most bands would die for.

The lyrics themselves are, at times, similarly full of downer brilliance. Take the opening of 'Forever 28’: "I can see the mystery of you and me will never quite add up / no-one is your perfect fit, I do not believe in that shit, don't you know every bubble bursts?"

As for production, Beck's touch is deft. Play this to a Pavement fan without them knowing the producer and they would know no different - it's raw and grungey and loose yet as soon as you know the producer it comes as little surprise... The hints are there in the snippets of brass, choruses of wordless 'ahhhhhs' as backing vocals. Beck has brought his skill to Malkmus' songwriting, but at the expense of nothing.

All in all this Mirror Traffic is a thrill: a post-pavement record better than you could hope for.

BP x

Mirror Traffic is out now, available from Amazon.co.uk on CD, LP and MP3 [affiliate links].

Album Review: Coastal Grooves - Blood Orange

Dev Hynes continues to blow my mind. As part of Test Icicles he helped play a (severely underrated) role in the birth of nu rave and proved that kids that dance can still rock hard. As Lightspeed Champion he made folk cool years before Laura Marling and Noah and the Whale (and let's not forget more interesting, as Falling Off The Lavender Bridge is still way more interesting that the Fleet Foxes). And here he is again, taking the long road home.

Hynes seems destined to make things difficult for himself - each time slotting into a slightly more oblique genre and changing his name like selling records is the last thing he wants. It's both a shame and a miracle, for he is exactly what us musos pine for: a well kept secret.

Blood Orange is, unsurprisingly, a rather different project to either of Hynes' previous incarnations. And, frustratingly for me as reviewer, it's rather difficult to describe. There are elements of post-punk, a retained country influence, an electronic edge and what feels like an oriental influence. It is also Dev Hynes' most obscure project to date. But it also might be his most interesting.

Whilst it feels instantly unrecognisable from Lightspeed Champion's honest Americana there are some similarities - 'S'Cooled', for example, may have a shuffling electronic beat a mile away from anything Hynes has used before but it still boasts the delicate guitar picking of ...Lavender Bridge.

Coastal Grooves feels more consciously produced than anything Hynes has released before but ironically it also feels more honest and exposed. The melodies feel like they bounced out of his head and the lyrics drooled out of his sleeping mouth agape even more so than before. That makes it sounds throwaway but that isn't the intention - this just feels like artist having an idea and acting on it without worrying about the listener at all. Which is refreshing.

And there are still memorable tunes - 'The Complete Knock', with it's disco influenced bridge complete with snappy guitars and a electro-inspired bridge, for example. Or 'I'm Sorry We Lied', a rapid fire blues record - insistent drums and picked out melodies like a foreign delicacy.

More than anything Coastal Grooves proves Hynes continues to care about his art and that he doesn't care if you care. But trust me, you should.

BP x

Coastal Grooves is released on Domino on Monday, available to pre-order from Amazon.co.uk on CD, LP and MP3 [affilaite links].

Video: A Leave Taking - Bill Ryder-Jones

File this under spellbinding. I didn't know who Bill Ryder-Jones was but a trip to Wikipedia soon had me informed that he used to play guitar for the Coral but that he quit for 'reasons unknown'. Being a bit of a hater of The Coral I'd like to think that he maybe just realised their twee folk psychedlia was shit. But that's probably just me being unfair.

Anyway, Bill appears to be heading into the realms of contemporary classical music and if this video, directed by Adeline Mai, is anything to go by then that is a good thing. I struggle to understand within the video what is real and what is post-production, but regardless it's pretty special. The combination of filters applied to the swimming couple feels like a brilliant visualisation of the sounds. Just a word of warning - the video is probably slightly NSFW.

You can download Ryder-Jones' EP, A Leave Taking, for free here. He will be releasing his debut album on Domino imprint Double 6 soon.

BP x

Album Review: Within and Without - Washed Out

In hindsight it is obvious that Ernest Greene's debut EP as Washed Out, Life of Leisure, was an important release. For me it marked the beginning of the crossover of chill wave - one of the early releases to encapsulate a new emerging sound. For Washed Out at least, full blown album Within and Without is probably even more important. This year we have already seen Toro y Moi's sound buckle and change under the pressure of increased ears, follow up Underneath the Pine responding to the challenge of staying fresh within a new genre by effectively abandoning it. The world is moving on, what will Washed Out do to avoid becoming washed up?

First things first: Washed Out isn't abandoning anything. Within and Without is faithful to the sound popularised on the first album. A progression of sorts maybe, but whereas Toro y Moi seemingly threw away everything, the kitchen sink and the plumbing, this feels very similar to the music of Life of Leisure.

Opening with single 'Eyes Be Closed' makes sense - it feels like a bridge to this album, fresh and sounding like the sea and sunshine. Where Within and Without pushes things though is towards larger, more memorable melodies and a greater emotional diversity. 'Eyes Be Closed' and 'Amor Fati' are examples of the larger tunes. The latter almost feels like one big chorus of layered vocals and big keys and for the first time it feels like Greene has made music that will stick in the mind and keep the listener coming back.

There also feels like there is more of an arc to the album - the first half all starry-eyed and overwhelmed before things begin to cool down at midway point 'Far Away', which soundtracks that moment when the feeling wears off and reality sets in. The comedown really peaks on the title track - the sunshine and good vibes seemingly run out with the holiday money, the beat plods on home knowing that the best has probably already passed.

Let us hope for Washed Out at least it hasn't. Within and Without is a welcome release and it feels more sophisticated than anything on Life of Leisure, but the cards are still being kept close to the chest. Whilst Toro y Moi throws too much away, perhaps Greene hasn't thrown away enough: I can't help but long to hear Washed Out take a few more risks.

BP x

Within and Without is out now on Weird World, available from Amazon.co.uk on CD, LP and MP3 [affiliate links].

Album Review: Mirror! Mirror! - Sons & Daughters

Sons & Daughters' new album Mirror! Mirror! feels rotten to the core. Produced by Keith McIvor, also known as JD Twitch and one half of Glaswegian DJ duo Optimo, it feels significantly darker than anything the band have done before.

Drenched in black with stripped back production Mirror! Mirror! feels a bit like the post-punk revival of the past ten years never happened. Whilst the band cite inspiration as coming from Stevie Nicks, Siousxie, PJ Harvey and Fever Ray it's really more a fairly faithful interpretation of the sounds of Joy Division, Gang of Four et al. Not that this is a bad thing - Interpol and more recently the Horrors have both created great music by using little more than a collection of four or five records from 1978-1983 as inspiration.

In fact Sons & Daughters sound so raw on this record that there is very little not to love. The Optimo sound surrounds this record like creeping dense fog - it's claustrophobic and pretty much impossible to escape. Guitars crunch whilst feedback cuts from left channel to right like a knife on 'Orion', all of it underpinned by David Gow's tight percussion. And the rhythm is the real star of the show here - whether straight up, no-frills and uncompromising as on reverb heavy 'Don't Look Now' or the punchy bass of tribute to murdered actress Elisabeth Short 'Axed Actor'.

The same is true of the 'Ink Free', which tackles singer Adele Bethel's writer's block, and it is a real highlight. Heavy and taught with the production applied with a subtle enough touch to give enough room for Bethel and (second vocalist and guitarist) Scott Paterson's frankly terrifying duet. The occasional burst of distorted white noise and the snare hits that punctuate the atmosphere feel like they actually leave a holes in the structure of the song.

Mirror! Mirror! is lean and focused and for that it should be applauded. Sons & Daughters have created, with the assistance of Keith McIvor, a dizzying and uncompromising album full of tiny details. As a whole body Mirror! Mirror!, the title surely a reference to self-absoption, talks more of the spiral of depression than anything else and that comes through in the palpable claustrophobia this record seeps out throughout its length.

BP x

Mirror! Mirror! is out now on Domino, available from Amazon.co.uk on CD, LP and MP3 [affiliate links].

Album Review: It's All True - Junior Boys

Junior Boys are one of those few acts where I am frankly just happy for them to stay the same. Their slick take on eighties influenced pop feels like an alternative future where Spandau Ballet ruled the world. Despite this the slight change in direction It's All True represents feel like a definite change for the better.

Sonically this album radiates sunshine. Their most overtly sensual and warm album yet and the result is that things get suspiciously close to Balearic. Married to Johnny Greenspan's as-ever gorgeous vocals this is a very good thing indeed - an irresistible hit of relaxed, dry heat. The songs here vary from being loved up and snappy, as on the punchy rhythms of 'A Truly Happy Ending' to relaxed to the point of apathy. 'Playtime' is a perfect example of the latter - a track that feels like it has been left out in the sun to the point of near-total evaporation. It's almost as though there is nothing left, the crawl to it's conclusion only just about manageable.

Lyrically and emotionally then It's All True is the aural equivalent of the cat Garfield, trapped within a sunbeam that suddenly imparts such a warm feeling of apathy that he can no longer manage the energy needed to move beyond it's grasp. Greenspan sounds overwhelmed by his affections. On opener 'Itch Fingers' he sounds completely aware that his emotions may be being toyed with, yet embraces his feelings anyway. Similarly on 'You'll Improve Me' Greenspan's persistent chorus of "That's the way you'll improve me" is simultaneously cloying and naïve - sounding both like an unwelcome admirer and a victim all at once.

Sunshine and lies run through this album like a seam. The title appears to relate to not just one song but all of them - several making explicit references to truth and lies and the others depicting someone in a state of lying to themselves. It's All True is best when this is combined with warmth and funk however - 'Second Chance' with its tight percussion and bubbling bass line.

Things close with 'Banana Ripple'. I've already mentioned this track in a previous post but it bears highlighting it again - it isn't just the best thing the Junior Boys have ever done, it's probably the best track I've heard all year. 'Banana Ripple' is pure summer sunshine exuberance and it feels like the manifestation of a change in the band - like the straight guy losing fear and taking the dance floor for his own: suddenly they can dance! Huge keyboards, organs and beautiful muted guitar combine with Greenspan's calls: "You'll never see me go...", like he finally wised up and left. And it has that feeling - it's empowered and striking and goosebump inducing.

Call it hyperbole, but in my head this is what the first summer of love sounds like.

BP x

It's All True is released on Domino on 4 July in the UK and 14 June elsewhere, available for pre-order from Amazon.co.uk on CD and LP [affiliate links].

News: Domino Records launch Domino Radio

In the spirit of the current pop-up shop movement the plagues the East End (where I spend my days) Domino Records, one of the UK's best independent labels, have come up with the (much better) idea of launching a pop-up radio station for one week.

From tomorrow Domino will be running Domino Radio on FM 87.7 in London, or online everywhere else. Thankfully unlike most radio stations they won't be bothering with anything as dull as playlisting so expect some interesting music and presenters.

Head on over to the site to listen and to get a preview of the artists - I'm particularly excited for Bobby Gillespie, James Ford, Junior Boys, Liquid Liquid, Twin Sister, Yuck and Zongamin (whatever happened to Zongamin?!). You may also want to follow the station on Twitter for news as it happens.

BP x

Comment: Banana Ripple - Junior Boys

Over the weekend I received a promo for the new Junior Boys album, It's All True, from Domino and I have to say it has rapidly become one of my favourite albums I have heard in a while. I'll definitely be doing a full review of this soon but it is so good that I can't help but want to get others as excited as I am.

A couple of months back I linked to the Domino site where you could download album track 'ep' so I thought I'd share another track off the album. This one you (sadly) can't download but it is well worth a stream over at Soundcloud. 'Banana Ripple' is the album closer and blends the Boys' usual warm, soft sound with a loved up sense of Ballearia. It's pure summer joy and I love it.

Junior Boys - Banana Ripple by DominoRecordCo

Get excited: summer's here.

BP x

News: Junior Boys to release new album

I've long been a fan of the Junior Boys sound - there is something about Jeremy Greenspan and Matt Didemus' approach to songwriting and production. When at their best there music has an incredibly polished sound - not something I'd usually appreciate but in their case it really creates a spellbinding mood.

Thankfully a new album is on the way - entitled It's All True it will come out on Domino on 20 June 2011 but Domino are giving away album track 'ep' now. Head over and give up your email address to check it out.

'ep' is classic Junior Boys stuff - sun kissed vocal melodies and warm synths, it's kind of pointless to resist and whilst it doesn't suggest much of a departure in terms of sound it definitely has me excited for the album.

BP x