Perhaps ironic given his pseudonym but out of the heavy hitters within the Get Physical stable DJ T seems to have been the least prolific within the medium of the mix CD. Both Booka Shade and M.A.N.D.Y. have released mixes in the past (in the latter's case seemingly at the expense of ever getting an album out) but this is, to BlackPlastic's knowledge, DJ T's first.
Even more surprising, given DJ T's tendancy for producing club tracks rather than the introspective albums of some of his label mates (Bronnt Industries Kapital or Booka Shade and particularly their The Sun and The Neon Light album) Fabric 51 is surprisingly deep. Refreshingly so.
It is an album that is much slower and thoughtful than BlackPlastic would have anticipated. Michael J Collins eases the listener in with the minimal and atmospheric 'I Just Wanna Be Your Disco Bitch' and with that the pacing is set - nice and slow - for what follows. And what follows is pretty fabulous. The Salax Peep Show Remix of 'A Million Secrets' by Stuffa sounds like some whining indie boys taken straight from the cover of NME yet rapidly thrust into a dubby, emotive minimal workout - and shockingly it works.
This slow, twisted vibe runs throughout the rest of Fabric 51 to create something that really feels different. Danton Eeprom's 'Give Me Pain' sounds like Metronomy meets Hot Chip in a race to the cool indie kid dance floor and the kick, when it hits, is pure joy. And the level of experimental liberalism never fails to land well - even the bohemian 'Jesus Was A B-Boy' from Ben Mono featuring Jemeni hits with well aimed humour. Hell - BlackPlastic recently said that we never wanted to hear DJ Mujava's 'Township Funk' again and yet DJ T even makes us take that back for the Crazy P mix, applied here, is a thing of melancholic joy.
DJ T has undeniably managed to exceed expectations here. Whilst he may be not have the catalogue of mix albums of M.A.N.D.Y. he has just delivered a mix level with some of their best and the finest Fabric album in a good few months.