There is a lot of talk at present of an electroclash resurgence. A second wave. With new albums from DJ Hell, Kittin & The Hacker and Peaches it is perhaps easy to see why. What is strange though is that many of these acts have distanced themselves from this sound already - Miss Kittin's rather good I Com was a move into a purer techno sound and whilst the follow up Bat Box may have been a misguided move into goth it the techno sound of the former disc she is known for as a DJ. Hell's last album, NY Muscle, was an attempt to distance himself from the obvious trappings of the electroclash genre and Tiga's debut wasn't remotely close to electroclash anyway. The only track Tiga has done that could be labelled as such is his collaboration with Zyntherius on their cover of 'Sunglasses At Night'.
What's more it seems that some semi-amateur hacks (and BlackPlastic puts themselves into the category) seem content with using the 'resurgence of electroclash' as a tool to beat up on Tiga specifically. In their recent review of Peaches I Like Cream Fact magazine said Tiga's comeback was best off ignored.
Which is total, complete, pathetic horseshit. Horseshit because it reeks of lazy sideswiping - an off the cuff comment to pad a two paragraph review. So here's the deal: Tiga's debut, Sexor, was a great record. And Ciao! is better.
To call Ciao! electroclash is to exposure yourself as a knowledge-less pretender to the whole world. This isn't electroclash, it's definitely closer to techno than that. What's more it has ideas and songs and the production is always spotless.
Every track, whether it is the quirky and hard 'Mind Dimension', a revision of Tiga's own 'Move Your Body' but much better, or the anthemic tears-on-the-danefloor closer 'Love Don't Dance Here Anymore', delivers something a little different. The production work of a team consisting of Soulwax, James Murphy, Gozales, Jesper Dahlbäck and Jori Hulkkonen shines through but Tiga still makes this all his own.
How does it compare to Sexor? There's no contest. Ciao! is a noisier, more assertive album. 'What You Need' is grinding and distorted to the sassy quirkiness of 'Shoes'. There are also several house ballads - 'Turn The Night On' and 'Speak, Memory' for example - that manage to actually deliver. Ciao! Is an album with both more variety and consistency than Sexor.
Ciao! may not be redefining genres. It may not be confounding expectations or giving wannabe hoxtonites something new no-one has heard of. But what it does do is consistently deliver ideas and deliver them well. If you are would rather snigger at the back because Tiga isn't the fashionable wünderkid he was once then so be it - BlackPlastic will be on the dancefloor having more fun.